Veery is a chord-playing instrument. Set a key, a scale, and a genre, and the Harmony Engine deals a hand of fitting chords onto your keyboard β one full chord per key. Play them through the built-in 64-voice synth, stream them to your DAW as MIDI, or both. This guide covers activation, the whole deck, every voicing and guidance control, Latch, presets, the synth, the PLAYED capture lane and MIDI drag-out, and four practical workflows.
Install the plugin first β the VST Install Guide covers Windows and macOS step by step. The first time you open Veery in your DAW it shows an Activation Required screen instead of the deck.
Activation is fully offline β no account, no iLok, no internet connection needed. It's verified and stored on your machine, so it only happens once; every session after that opens straight to the deck. If you reinstall or move to a new machine, activate again with the same serial.
Veery is a VST3 instrument, not an insert effect. Add it to a MIDI or instrument track and route your keyboard to it. It defaults to Mode: Synth, so it makes sound the instant you load it β no extra routing.
These three choices define the deck. Any change rebuilds it instantly and re-deals the chords onto your keys.
The deck is never empty: if a genre and scale combination would leave nothing, degree triads are kept as a fallback.
These trim the pool of fitting chords down to a playable set.
Deal orders the surviving chords and Mapping lays them onto keys, starting at the Start Key.
The mini piano strip is a scale lens: every in-scale key wears a soft tint and the roots carry a marker, mapped trigger keys light aqua, held trigger keys light orchid, and the exact pitches sounding right now glow bright β spin Invert while holding a pad and watch the notes walk. Above it, the spell line writes your key out in full (C Natural Major Β· C D E F G A B), and a marker sits at the Start Key.
Voicing is applied at trigger time, so you can reshape how chords sound without rebuilding the deck. Your incoming velocity carries to every note.
The guidance layer only marks pads β it never plays or writes notes for you, and changing it never rebuilds the deck.
Mode routes triggered chords to the internal synth, out as MIDI, or both.
On-screen pads and the piano strip drive the same path as hardware MIDI, so clicking a pad also feeds the MIDI output.
To play someone else's synth with Veery's chords, set Mode: MIDI Out and point that instrument at Veery's MIDI output. Every host does this slightly differently, but it's always one of two shapes: put Veery before the instrument on the same track, or put them on two tracks and tell the second one to listen to the first.
Mode set to MIDI Out. Note that Sound, Tone and Level grey out β Veery's own synth is silent in this mode, and everything you hear is coming from the instrument you're driving. Channel sets which MIDI channel the chords go out on.
The receiving track (left) is set to MIDI From: 3-Veery, and critically the dropdown just below it reads Veery rather than Pre FX β that's the setting that picks up the plugin's MIDI output. Monitor is set to In. The Veery track itself (right) stays on All Ins.
If you hear nothing: check that the receiving track is monitoring (most hosts only pass plugin MIDI through when the target is armed or monitoring), that Veery's Mode is MIDI Out or Both, and that Veery's MIDI Channel matches whatever the target instrument is listening on. Menu names shift a little between versions of each DAW, but the routing itself is the same.
In Both mode you'll hear the chord twice β once from Veery's own synth and once from the target. That's useful while you set the routing up; switch to MIDI Out once it's working.
Or skip routing altogether: jam in Synth mode, then drag the PLAYED lane's β° MIDI grip straight onto the other instrument's track. Same chords, no routing to configure β see the next step.
Everything you trigger is remembered and ready to drop into your project as a standard .mid file β no recording pass needed.
The preset bar in the top-left names the current patch. A preset stores the whole plugin state β key, scale, genre, the whole deck setup, voicing, guidance and synth settings β so it's a complete starting point, not just a sound.
Load Veery on an instrument track in Synth mode β or skip the setup entirely and pull up a factory preset like Dusk Writer or Neo Keys, which arrive pre-steered. Otherwise: set your Key and Scale, pick a genre like Neo Soul or Deep House, and choose the Pad or Piano sound. Turn Complexity to taste and select a Progression guide such as Pop Axis or 2-5-1. Arm Voice Lead. Now follow the aqua glow from pad to pad β each key gives a complete, in-key chord and the transitions sound connected. You're writing a progression without touching a theory book.
Set Mode to MIDI Out (or Both to monitor with the internal synth) and route Veery's MIDI output to your favourite instrument β step 09 above has the exact clicks for Ableton, FL Studio, Reaper, Bitwig, Studio One and Cubase. Choose a MIDI Channel and, if you want your own melody notes to pass, enable MIDI Thru. Play the deck and record the chord MIDI into your DAW β you now have editable chord clips voiced exactly as Veery dealt them, ready to swap sounds or humanise further. Or skip the recording pass entirely: jam until it sounds right, then drag the PLAYED lane's β° MIDI grip straight into the track as a finished progression.
Keep one Key and Scale fixed and sweep the Genre selector. Watch the deck re-fill with each style's characteristic vocabulary β sparse minor triads for UK Drill, lush extended voicings for Jazz / Fusion, bright add9 stacks for Future Bass. Switch Fit to Borrow to let altered colour in, and nudge Complexity up for richer chords. It's a fast way to audition how a chord idea sits across different scenes.
Choose the Pad or Strings sound, raise Spread toward 60β100% for an open, pianistic voicing, and enable Low Root to anchor the bottom. Add a little Strum (10β25 ms) for a gentle roll on each chord. Lower Tone for a warm bed or raise it for air. Turn on Latch so one tap holds the chord and both hands stay free to sweep Tone and Spread while it rings β or hold chords across bars with the sustain pedal instead. Either way the 64-voice count keeps overlapping chords clean without pumping.