The level of manufactured air harmonics added on top of the dry signal — the main exciter macro.
An exciter never reshapes your signal — it manufactures new harmonic content from a side-chained copy and adds it back in parallel, so the dry path stays pristine and the sub is never muddied. Zero latency, always.
Oriole descends from CondorMultiband's Aphex-style Type-III exciter core, re-derived with closed-form antiderivative antialiasing so the whole plugin runs at zero latency. It generates new harmonic content from a side-chained copy of your signal and adds it back — the dry path underneath is never touched.
A CURVE view shows the live harmonic-generator transfer function, and a FREQ view shows the output spectrum with the protected sub region shaded in ice, the Girth band and excited AIR region highlighted in gold, and the Air shelf overlaid.
With Amount and Girth both at zero, the harmonic sum collapses to zero and the pristine dry signal passes through untouched — a bit-exact bypass. Oriole always reports zero latency: no oversampling, no delay compensation needed.
Oriole splits the spectrum into three parallel zones, each doing a different job — and the sub is never in play.
Below Sub Freq, nothing is generated. With Keep Sub on, the harmonic sum is high-passed here too, so not one dB of manufactured energy lands under the sub.
Between Sub Freq and roughly 3× that, even-harmonic weight sits above the source — the classic "missing fundamental" trick that lets phones and laptops hear bass they can't reproduce.
Above Tune, the Aphex-style differential-pair generator does its work. Timbre sweeps it from even (warm) to odd (bright); Air adds a 10 kHz shelf of sheen.
The differential-pair generator has a closed-form antiderivative, so aliasing is suppressed at base rate — no oversampling, no phase smear in the low end.
The level of manufactured air harmonics added on top of the dry signal — the main exciter macro.
Pushes the side-chain harder into the generator for more and higher harmonics.
Generator asymmetry — 0 is even-harmonic and warm, 100 is odd-harmonic and bright.
The crossover above which the main exciter generates harmonics at all.
A 10 kHz high-shelf of sheen laid on top of the generated harmonics.
Monitor only the manufactured harmonics in isolation — great for dialling in the character before blending back.
Girth adds even-harmonic weight to the low band, above the source fundamental — the same psychoacoustic principle that lets small speakers imply bass they physically can't reproduce.
Sub Freq is both the sub-protect corner and the lower edge of the Girth band — one control, two jobs, always in sync.
Girth defaults to 0% — an opt-in translation trick for material that needs to read on phone speakers and laptops, not a default coloration.
On by default. High-passes the entire generated harmonic sum at Sub Freq before it's added back — guaranteeing nothing manufactured lands under your sub.
Set it to match your track's fundamental — the corner below which Oriole guarantees it never adds anything.
Keep Sub only filters the generated harmonics — the dry signal was never touched in the first place. This is belt-and-suspenders on top of the parallel architecture.
Level of the generated Air harmonics added on top of dry.
Pushes the side-chain harder into the generator.
Even-harmonic bass translation weight, off by default.
The sub-protect corner and the lower edge of the Girth band.
Final trim for level-matched comparisons against bypass.